![]() In them he created covers and series such as Kokolo (1952), Melenas (1954), Don Usura (1955) and Haciendo el indio (1955), the first of certain success of the author, as it was also reproduced in the weekly supplement of La Prensa of Barcelona. Īfter finishing his primary education at the Guimerá Schools, Ibáñez began to study accounting, banking and mercantile expertise and, between 19, he worked as a bellboy and, subsequently, as portfolio and risk assistant, at the Banco Español de Crédito, a job that in 1952 he began to combine with collaborations in the magazines Nicolás, Chicolino, La hora del recreo, Alex, Liliput, El Barbas and above all in the two humorous mastheads of Editorial Marco : La Risa and Hipo, Monito y Fifí. In October 1947, at the age of eleven, he published his first drawing in the magazine Chicos. As a child, Ibáñez showed a fondness for comic books and comic cinema from the United States as well as an ability for drawing and imagination. His family was lower middle class, and he was the son of a father from Alicante and an Andalusian mother, and had three brothers. Ibáñez was born on 15 March 1936 in Barcelona, four months before the outbreak of the Spanish Civil War, in a working class neighborhood. Ibáñez was one of the most prolific and well-known authors in Spain, with popular comics such as Mort & Phil, Rompetechos, 13, Rue del Percebe, El botones Sacarino, Pepe Gotera y Otilio, and Chicha, Tato y Clodoveo. Francisco Ibáñez Talavera (15 March 1936 – 15 July 2023) was a Spanish comic book artist and writer.
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